|
|
|
Levitan, Isaak Lake evening mk144
Oil on carton
16.8x24.7cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak At the bank mk144
Oil on carton
11x15.8cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak At the Wolga mk144
1887-1888
Oil on linen
57.8x88.7cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Barge. Wolga mk144
1889
Oil on linen
17.5x29cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak After the rain. Pljos mk144
1889
Oil on linen
80x125cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Canal in Venice mk144
1890
OIl on paper on linen
31.7x21.2cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak In that nearly of Bordighera in the north of Italy mk144
1890
Pastel on paper
49x64cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Fruhling in Italy mk144
1890
Oil on Linen
42.8x60.2cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak The Comer lake mk144
1894
Oil on linen
96x128cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Corniche in the Suden France mk144
1894
Study to the of the same name picture
Oil on carton
24x33cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Gebirgskette. Montblanc mk144
1897
Oil on carton
31.7x39.8cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Autumn Landscape mk144
Pastel on carton
30x51xm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Fruhling, flood mk144
1897
Oil on linen
64.2x57.5cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Going train mk144
Oil on linen
58x76cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Bluhende meadow mk144
Oil on linen
24x30cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Forest mk144
Oil on linen on carton glued
19x30cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak An Der Untiefe mk144
Oil on linen
150x209cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak At the Shallow mk144
1891
Sketch to the of the same name picture graphite pencil on grey carton
32.5x48cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Wladimirka mk144
1892
Oil on linen
79x123cm
|
|
|
|
|
|
|
|
|
|
Levitan, Isaak Would allay mk144
1898
Oil on linen
96x128cm
|
|
|
|
|
|
|
|
| |
|
|
Levitan, Isaak
|
Russian Painter, 1860-1900
Russian painter of Lithuanian birth. He largely painted landscapes (including pastel sketches), which are noted for their emotive or symbolic resonance. His 'landscapes of mood' had a profound influence on Russian landscape painting, to which he introduced a sense of the unity of humankind and nature, and of the spiritual power of the Russian
|